In this, part two of Dr. White’s commentary on Shakespeare’s Much Ado About Nothing, he outlines the plot: built around eavesdropping and gossiping. It is a comedy, according to White, which contains two of the greatest comic scenes ever written. Interspersed with selected readings, Dr. White emphasizes the huge importance of words, and how language in this play is used as weaponry. It is what White calls a “serious” comedy. And he points out how the play evokes the image of the Virgin Mary, the model for all women; and he describes the parallels between this Shakespeare work and Dante’s Divine Comedy.