Long description coming soon.
Continuing the discussion of the Four Quartets, Dr. White examines the fourth part of each as lyric poems dealing in large part with Our Lord,
The fifth, compact installment in the 2015 Broadstairs series on Eliot witnesses Dr. White exploring meter and prosody by way of his consideration and reading
Dr. White begins the fourth of his Broadstairs series on Eliot with a recapitulation of the main themes of the preceding lectures and considers additional
The third Broadstairs lecture continues the reading of the Waste Land and covers its remaining parts three through five. In this presentation, Dr. White includes
In this second lecture the biographical sketch of Eliot’s life is continued, and episodes from it are juxtaposed with scenes from the Waste Land. The
Here Dr. White discusses the second and third plays of The Oresteia. He explains that The Libation Bearers, the second play in the trilogy, is
In his preamble to a discussion of Agamemnon, Dr. White decries the absence of an American “golden age of theatre” and describes film as a
To a doubting French journalist the author of “Eleison Comments” expresses confidence that the imminent Motu Proprio will do much good.
Indeed, it both declares that the Tridentine Mass was never banned, and permits Latin rite priests to use it, whenever and wherever.
By overloading our eyes and ears, said Kafka, the cinema overwhelms our minds. Minds being overwhelmed means that lies triumph.
In his outstanding Encyclical of 100 years ago, Pius X nailed the deadly error of modern times: minds’ independence from their object.
Despite many Catholics’ reservations as to the content and motivation of the Motu Proprio, one may still believe it will do good.
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